In a retrospective review, Chris Smith from Stylus Magazine wrote a favorable review of the album stating “like one who tries to catch lightning in a bottle again, they Wu-Tang never yet managed to make anything this memorable, otherworldly, and strangely beautiful again. The track features gritty, surreal lyrics, simple musical variation, and an eerie-sounding, RZA-produced beat. On October 8, , the Recording Industry Association of America announced that the album had earned a platinum certification for having sold more than 1 million copies. I think RZA played the beat for me and I just spit to it right there. One of my nephews ended up getting eights years for that shit.
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Upon its release, Liquid Swords received critical acclaim. Views Read Edit View history. That’s an astonishing fact when one considers the volume of work he’s put out this year.
Liquid Swords – Wikipedia
The Genius’ eerie calm is a great match for RZA’s atmospheric production, which is tremendously effective in this context; the kung fu dialogue here is among the creepiest he’s put on record, and he experiments quite a bit with stranger sounds and more layered tracks. I mean, Raekwon and Ghostface can step in and record a song in about forty-five minutes. The Making Of Liquid Swords page 1. This page was last edited on 10 Februaryat So the whole song is a sad irony to me now.
In Brackett, Nathan; Hoard, Christian eds. All of his collaborators shape themselves to his quietly intimidating style, giving Liquid Swords a strongly consistent tone and making it an album that gradually slithers its way under your skin [ It comes from this flick, Legend of the Liquid Swordwhere people would get their head cut off but swirds would still be on their shoulders. Coker from Los Angeles Times wrote, “like a hip-hop M.
I had two nephews in the video, they were both real young at the time. Liquid Lkquid is a concept of being lyrically sharp, flowing like liquid metal — mercury, y’know? If you listen to it and compare it to what’s out now, it’s timeless.
This is a CD that you can pop into the player without worrying about programming the CD player to skip bad tracks This song, the guest verses, the video, the crowd response, all turned out perfect for this one. Encyclopedia of Popular Music. And in video, they both had met up and shots rang out from some young gangsters. Sometimes I take different sentences and put them together. Over the years, its recognition has grown, with a number of famous publishers proclaiming it as one of the greatest hip hop albums of all time.
Milestone’s Color Editor, Jason Scott Jones created the cover color art digitally at a time when digital coloring was emerging in comic art eventually becoming the standard. Plus, Ghost killed sworcs with his verse so I knew I had to come correct.
Not only is RZA in top form, but every Clan member makes at least one appearance on the album, making it all lquid more impressive that Liquid Swords clearly remains the Genius’ showcase throughout.
Liquid Swords Geffen “.
More by GZA
A lot of good Wu-Tang Clan albums have been released over the years, both collectively and individually, but out of all the solo albums this may be the best—if not one of the top two or three. But I can say that I felt the magic with this one. I just remember absolutely loving them. Words from the Genius The second single released for the album, was the title track “Liquid Swords,” released over one year later on October 10, Lyrically, it’s not my best work.
Inthe Chicago Tribune cited it as “one of the most substantial lyrical journeys in hip-hop history”. Describing the song’s background and theme, GZA later stated “This was a short rhyme I wrote for one of my nephews. Liquid Swords contains all the elements of RZA’s increasingly sophisticated style: Webarchive template wayback links Articles with short description Articles with hAudio microformats Pages using certification Table Entry with unknown parameters Certification Table Entry usages for United States Articles with MusicBrainz release links.
After the cancellation of an appearance in Brooklyn, New York, the performance was rescheduled for December 13 and 14 at the Knitting Factory in New York.